Rodrick Dantzler is dead.

Rodrick Shonte Danzler is dead. And so is his 12-year-old daughter and the six other people he killed Thursday.

I didn’t become aware of the massacre or begin to watch the live footage until his five-hour hostage standoff was well underway. Apparently, Dantzler’s killing rampage began in the afternoon and alternated between two Grand Rapids communities, both to which I have strong connections. He shot several victims near the intersection of Fulton and Division, which is three parallel blocks away from my apartment, and the others were slain on Plainfield Avenue, near where I lived with my aunt and uncle for the first two years of my stay here. Their street, which is a serene suburban strip, just off Plainfield was sealed off last night, to ensure that Dantzler could not escape the home where he’d holed up with what was first believed to be two, but wound up as three hostages, when the last was discovered hiding in another room.

This all hit, quite literally, close to home.

I’m no stranger to mass murder and serial killing and gunmen turning their weapons on themselves to end it all. I’m from Baltimore.

Even before Dantzler decided to end his life, I predicted he would. Even before an anonymous extended family member told Wood TV 8 that Dantzler suffered from mental illnesses for which he was not taking medication, I guessed it. That Dantzler knew his victims was also something I thought likely.

But it’s his relationships to those victims that is so unsettling. Two of the women murdered were Dantzler’s ex-girlfriends (another who was shot and injured was a third ex); almost everyone else slain was related to those women. In addition to his adolescent daughter, he also killed the 10-year-old niece of one of those exes.

Investigation has revealed that Dantzler’s long rap sheet is littered with charges of violence and threats against women and relatives. He even allegedly assaulted a pregnant girlfriend in an attempt to kill the unborn child.

Grand Rapids Chief of Police Kevin Belk insists, “It makes no sense to try to rationalize it, what the motives were. You just cannot come up with a logical reason why someone takes seven people’s lives.”

He’s right, of course, but it doesn’t stop me from wanting, if not an explanation of motive, a meaning or–to use a term that makes me cringe–a teachable moment.

It’s been difficult, and it’s still early yet. I’m at a bit of a loss.

This was a man who first became a felon close to twenty years ago. His own mother sought a restraining order against him in the early ’90s, after he set fire to her home. She was one of four women who sought restraining orders against him during that decade.

He was 34. And though neighbors at his current residence described him as friendly, mild-mannered, and “normal,” he woke up yesterday morning with a .40-caliber handgun and “plenty of ammunition,” with the intent to end the lives of his exes and his daughter.

The photograph of Danzler that most often flashed across my television screen Thursday night showed a man rather indistinguishable as crazy. His hair is freshly cut, and his clothing, what little is seen of it, seems average. The eyes usually tell the tale. They are wild or darting or dilated. Danzler’s may be a bit dull, as though he’s been drinking, but they don’t show the worry or fear or anxiety or even rage you’d expect to find in the face of a man who premeditates the murder of seven people.

This was among the most notable of details, for me. Sanity, or its lack, is not easily determined by the naked eye or, at least for these women, by early interaction.

I found my mind wandering through the ruins, wondering what the victims must’ve been thinking.

A part of me already knew–the part that is attracted to eccentrics and “Iceberg Men,” as I like to call them. Iceberg Men are never quite knowable. You get the ten or twenty percent that sits above the water’s surface, but you’re also ever running afoul of the jagged, arctic ridges underneath. You are privy to the beauteous transparent peak, but not the denser, cloudier behemoth waiting below.

At the beginning of one of my relationships, my boyfriend showed me two of his earliest films: the first, for which he won a college scholarship, was about a man sent to prison for killing his unfaithful girlfriend. He starred as the inmate. The second film he showed me was about a man who mistook Philadelphia’s Center City for the rice paddies of Vietnam and began hallucinating himself knifing passersby, like he’d done as a soldier. He starred as the PTSD victim.

I gave him a pretty long side-eye, after those screenings. But eventually, I chalked it up to the eccentricities attendant to artists. I love creatives. We exorcise the baser urges of our ids on paper, celluloid, stages, or dance floors, and when we’re fortunate, those urges are contained to our media. Imagine if he were a horror auteur, I told myself. Imagine if you were dating a Black Stephen King. That, I decided, would’ve been markedly creepier.

Still, I Googled him. I listened when he offered views on gun ownership and channeling anger and the importance of self-defense. I observed how his relatives and friends responded to him. And after that vetting period, I relaxed.

He was a hybrid: eccentric Iceberg. But I was never in harm’s way with him.

I have to wonder if any of Dantzler’s exes similarly vetted Dantzler. I wonder what negotiations their hearts held with their common sense.

Since even he could appear sensible and “friendly” and “mild-mannered,” did they think that their love for him would transcend his past and mellow his future? And once they realized that wasn’t possible, did they fear that this fateful Thursday would come?

The world has never offered much sanctuary for women. And often, our decisions about who to love have repercussions that extend far beyond any we can imagine. Sometimes, running afoul of our Iceberg’s lower half results in far, far more than the bump on the head for which we’ve prepared.

Rodrick Dantzler is dead. He killed people who’d once loved and trusted him. Intimates. Children.

I don’t know if there’s any sense to be gained from violence this senseless.

God rest their souls. God bless your life–and be wise with what’s left of it.



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about stacia

Stacia L. Brown was born in Lansing, MI at the very end of the 1970s. She grew up in Baltimore, MD–the county, not the city. She graduated from Trinity College (now Trinity Washington University) in DC with a BA in English and worked a few office gigs, while trying to jump-start her writing career, before moving to New York for grad school.

At 27, she finished an MFA in fiction at Sarah Lawrence College. She spent the next six and a half years working as an adjunct writing professor first in Michigan at Grand Valley State, Kuyper College and Grand Rapids Community College, then in Maryland at The Community College of Baltimore County and, for one dazzling semester, at MICA, while also working as a freelance writer for various publications, including The Washington Post, where she currently serves as a weekly contributor, New Republic, Rolling Stone, The Atlantic, and others.

In 2010, she became a mother.

For a semi-complete list of Stacia’s online publications, visit her bylines page.

Her short story, “Be Longing,” was selected for publication in It’s All Love: Black Writers on Soul Mates, Family, and Friends (Doubleday/Harlem Moon 2009), edited by Marita Golden. Her poem, “Combat,” appears in Reverie: Midwest African American Literature. Her essay on adjuncting as a single mother appears in the Demeter Press title, Laboring Positions: Black Women, Mothering and the Academyedited by Sekile Nzinga-Johnson.

Stacia served as the 2013-14 Editorial Fellow for Community Engagement at Colorlines. In June 2015, she was part of the inaugural Thread at Yale class. She was a 2015 participant in Women’s Media Center’s Progressive Women’s Voices training program. She was a 2019 Tin House Scholar and a participant in the Cambridge Writers Workshop in Paris, also in 2019.

In addition to her work in print, Stacia is also an accomplished audio storyteller. In November 2015, Stacia became the creator and producer of Baltimore: The Rise of Charm City, a radio and podcast series that tells intergenerational stories of place and memory in Baltimore City. Baltimore: The Rise of Charm City is part of the Association of Independents in Radio (AIR)’s 2015 Finding America: Localore project and is produced in partnership with WEAA 88.9.

She is the creator of Hope Chest, a collection of audio essays written to her daughter and present in podcast form at SoundCloud and Apple Podcasts. Hope Chest has been featured on BBC Radio 4’s Short Cuts and the Third Coast International Audio Festival podcast, Re:Sound. It was named one of Audible Feast’s Best New Podcasts of 2017. She also created and produces a micro-podcast for middle-grade book reviews, which her daughter narrates and hosts. It’s called Story on Stories.

In 2018, Stacia landed a gig at WAMU, as a producer of the NPR-syndicated daily news program, 1A. In 2020, she relocated from Maryland to North Carolina, where she produced radio and podcasts (including the incomparable Great Grief with Nnenna Freelon) for WUNC, North Carolina’s NPR station before moving onto other sonic endeavors. In 2022, she served as an advice columnist for Slate’s weekly parenting advice column, Care and Feeding.

Stacia resides in Durham with her amazing daughter Story.

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